samizdat 2023 programme
Festival at a glance
12-16 September (CCA Glasgow, in person)
12 September - 5 October (Klassiki, online)
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There was 13 in-person screenings at CCA Glasgow, featuring a total of 10 feature films, 11 shorts, and 9 short animations. Out of 10 features, 4 were retrospectives and 6 were UK premieres.
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Our partner, the streaming platform Klassiki, hosted Samizdat’s online programme comprising 5 features, 5 shorts, and several interviews and discussions.
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5 short films submitted to the festival competed for the Samizdat Audience Award based on audience ratings collected at in-person screenings. Assel Aushakimova’s Comrade Policeman won the Samizdat 2023 Best Short Film award.
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Samizdat had two special events in 2023: a showcase of a collection of Eastern European and Central Asian surrealist animation (14.09) and a screening of Soviet Armenian early film House on the Volcano (1928) (13.09) with an original new score mixed live by its composer Juliet Merchant.
Key Information
Brochures
Download the festival brochure here: digital file, text-only Word document. Free paper brochures from the CCA could be collected several weeks before the festival.
accessibility
Learn about our accessibility measures, including financial support for attendees, pricing, Closed Captions, content and access notes, venue accessibility, and more, here.
Festival Closing: Darezhan Omirbayev Double-Bill: The Road (2001)
Amir Kobessov is an acclaimed art cinema director and an unfaithful, lying husband who finds out about his mother’s illness and drives to visit her in rural Kazakhstan. On the long road, he daydreams about his failures, fears, and longings encountering a set of surreal characters in the blurry space between dream and reality.
Darezhan Omirbayev Double-Bill: Killer (1998)
After completing his military service, Marat returns to Kazakhstan and starts working as a chauffeur for a famous scientist. One day, he accidentally crashes into a Mercedes belonging to a local gangster, who demands an immediate payment. To pay back the damages, Marat borrows money from a local oligarch, triggering a never-ending chain of loans and tragic events.
Collection of Central Asian Women’s Short FIlm
Samizdat presents a collection of short films directed by Central Asian women, featuring works from Kazakhstan, Uzbekistan, and Tajikistan, including an animation, a comedy sketch, a queer romance, an ethnographic documentary, and an artwork composed of archival propaganda footage.
A Cup of Coffee and New Shoes On (Gentian Koçi, 2022)
Identical twin brothers born deaf due to a rare genetic disease discover that they will soon start to go blind.
Weightless (Marta Hryniuk, Nick Thomas, 2023) + Short (Burial)
Khrystyna Bunii travels solo across remote south-west Ukraine in pursuit of her anthropological research. As she encounters people and digitises their family photo archives, conversations and interconnections emerge. Conducting visual research into the transnational region of Hutsulshchyna, Bunii pursues a political practice of self-narration from the margins of representation.
My Favourite Job + 100% Off (Sashko Protyah, 2022)
A double-bill of new experimental mixed-media short films about Mariupol evacuations and lootings by Sashko Protyah, a Ukrainian filmmaker, activist, and a volunteer for the IDP and the Ukrainian army.
Collection of Surrealist Eastern European Animation (1965-2022)
Samizdat and Manipulate Festival (Puppet Animation Scotland) present a unique collection of Eastern European surrealist animation from 1965 to 2022, showcasing an eclectic mix of animation styles, techniques, and themes — the weird, the eerie, the bizarre, and the unbelievable.
Some Interviews on Personal Matters (Lana Gogoberidze, 1978) + Short (Lena River)
Sofiko is a Georgian journalist who travels around the country interviewing victims of patriarchy and corruption. After she refuses her husband's and editor's wishes for her to take a promotion that would limit her work, her husband cheats on her, yet Sofiko continues reporting.
King Lear: How We Looked for Love During the War (Dmytro Hreshko, 2023)
In the small town of Uzhhorod in western Ukraine, which became a place of refuge for many escaping the Russian invasion, a theatre director is working on an adaptation of King Lear. In this documentary, the Shakespeare play is reflected through the lens of non-professional actors living in displacement, which turns it into an observational and analytical tool that helps to look for love and hope against the background of war.
House on the Volcano + Live Score Mix (Hamo Beknazarian, 1928)
A new restoration of a neglected silent classic by Hamo Benazarian, the founding father of Armenian cinema, this historical melodrama recounts the brutal suppression of an oil workers’ strike in pre-revolutionary Baku.
Colors of Tobi (Alexa Bakony, 2021) + Short (Brick Head)
Documentary following a transgender teen Tobi through the process of his transition in a small Hungarian town.
Aurora’s Sunrise (Inna Sahakyan, 2022) + Short (Warmth)
The true story of how a fourteen-year-old girl escaped the slaughter of the Armenian genocide and embarked upon an odyssey that took her to the heights of Hollywood stardom.
Festival opening: Safe Place (Juraj Lerotic, 2022)
Blindsided by his brother Damir’s unexpected suicide attempt, Bruno and his mother rush to care for their loved one in a Zagreb hospital. However, Bruno soon finds that Damir doesn’t just need protected from his self but also from a callous, uncaring system that appears indifferent to his survival.
Online screenings on klassiki
*only available on Klassiki