With an introduction by film scholar and specialist in Eastern European animation, Professor Sanja Bahun
Wheelchair accessible, English subtitles, SDH captions, £6 (concession) / £10 (full price)
Samizdat and Manipulate Festival (Puppet Animation Scotland) present a unique collection of Eastern European surrealist animation from 1965 to 2022, showcasing an eclectic mix of animation styles, techniques, and themes — the weird, the eerie, the bizarre, and the unbelievable. From a city run by beans to an office building filled with anti-capitalist mice, these films represent not just the technical finesse and playfulness of animation, but also the intricate ways in which it captures the political and social anxieties of Eastern Europe and Central Asia. For the first time, audiences in Glasgow will have the chance to see rarely exhibited films that have defined animation from the middle of the twentieth century to the present day.
Content notes: depictions of mild violence (not photorealistic), blood, death, state oppression, sex, disease, nudity.
Access notes: flickering and colourful images, flashing lights, visual storytelling with music throughout, subtitles for speech, some loud sounds.
Co-curated by Andrew Currie and Manipulate Festival
Programme
The Hand (dir. Jiří Trnka, Czech Republic, 1965)
Jirtdan (dirs. Elchin Effendiev and Aghanagi Akhundov, Azerbaijan, 1969)
Mask of the Red Death (dirs. Pavao Štalter and Branko Ranitović, Croatia, 1969)
Scenes with Beans (dir. Ottó Foky, Hungary, 1976)
…And Plays Tricks (dir. Priit Parn, Estonia, Estonia, 1978)
Tyll the Giant (dir. Rein Raamat, Estonia, 1980)
Dimensions of Dialogue (dir. Jan Švankmajer, Czech Republic, 1982)
The Juggler (dir. Skirmanta Jakaitè, Lithuania, 2018)
Money and Happiness (dirs. Nikola Majdak Jr. and Ana Nedeljković, Serbia, 2022)